Home

Advertisement

Customize
cartoonart

Monsters of Webcomics:

Final Frames:  Behind the Scenes at the Perry Bible Fellowship

Cartoon Art Museum events:

Booksigning: Thursday, August 27, 2009, 7:00-9:00pm, Free and open to the public


Presentation: Friday, August 28, 2009:  7:00-9:00pm, $10 general admission/$5 C.A.M. Members
(Please call 415.227.8666, ext. 313 for reservations.)



The Cartoon Art Museum’s Monsters of Webcomics exhibition is so big that it needs TWO opening receptions with special guest Nick Gurewitch, creator of the popular webcomic The Perry Bible Fellowship.

On Thursday, August 27, Gurewitch will meet fans and sign copies of the two bestselling  Perry Bible Fellowship collections, The Trial of Colonel Sweeto and The Perry Bible Fellowship Almanack. The booksigning is free and open to the public.

On Friday, August 28, Gurewitch guides Perry Bible Fellowship fans through an artistic thesis about visual storytelling, and will go behind the scenes of comic-production with co-writer/spiritual advisor Evan Keogh. As an added bonus, never-before-seen comics by Gurewitch will be on display as part of the Cartoon Art Museum’s Monsters of Webcomics exhibition.  Special guest Michael Capozzola (stand-up comedian and creator of the San Francisco Chronicle’s Surveillance Caricatures) will lead a Q&A with Gurewitch immediately following the presentation.  This is a ticketed event.  General admission for this presentation is $10, or $5 for members of the Cartoon Art Museum.

The Cartoon Art Museum would like to thank the generous sponsors who made this event possible.  JetBlue Airways (http://www.jetblue.com) provided Mr. Gurewitch’s airfare, and Dark Horse Comics (http://www.darkhorsecomics.com) assisted with publicity and other promotional considerations.
 
 
cartoonart
23 July 2009 @ 01:12 pm

Monsters of Webcomics

Cartoon Art Museum exhibition: August 8 – December 6, 2009




The Internet has revolutionized all forms of communication, and comics are no exception.  The Cartoon Art Museum explores the digital revolution in its latest exhibition, Monsters of Webcomics, a showcase of some of the best and boldest work published on the World Wide Web.

Cartoonists choose to work on the Web for many reasons.  For some, it’s an opportunity to reach readers directly without going through editors, publishers, or syndicates. For others, it’s a chance to explore the artistic possibilities of the Web, whether that means working in a format that would be impossible in print, tackling subject matter most comic-book publishers won’t handle, or taking advantage of the rich palette available with digital coloring.  Others simply want to share their comics with as many people as possible.

The comics by the ten artists featured in this exhibition run the gamut from four-panel comic strips to full-length graphic novels and include comedy, drama, history, science fiction, and sociopolitical commentary.  As varied as this work is, however, it represents only a very small sample of the comics available on the Web.  The Monsters of Webcomics exhibition also includes a virtual gallery that will highlight dozens of additional online comics.

ABOUT THE FEATURED ARTISTS:

Slow Wave
By Jesse Reklaw
slowwave.com

One of the longest-running webcomics, Slow Wave has been running online and in weekly newspapers since 1995.  While pursuing a Ph.D. in artificial intelligence at Yale, Jesse Reklaw began drawing comics about dreams.  These comics developed into Slow Wave, a weekly strip in which Reklaw draws dreams submitted by readers.  Recently, Reklaw began incorporating a running plot into the strip, although the dream content still comes from reader emails. Some of the best strips from Slow Wave’s venerable run were recently published in the print collection The Night of Your Life.

Hark! A Vagrant!
By Kate Beaton
harkavagrant.com

Kate Beaton’s comics reflect her interest in history, especially that of her native Canada.  Born in Nova Scotia, she worked at a museum in British Columbia before moving to Ontario.  Although the comics she posts on her website range from autobiographical strips to stories about mermaids and mystery-solving teens, she’s perhaps best known for her comics poking erudite fun at historical figures.

Beaton won this year’s Doug Wright Award for Best Emerging Talent, and Wired magazine called her “the Web’s best military historian, hands down.”  Her book Never Learn Anything from History collects some of her best history comics.

Girl Genius
By Phil and Kaja Foglio
girlgeniusonline.com

Phil and Kaja Foglio began publishing Girl Genius, a “gaslamp fantasy” about the adventures of mad scientist Agatha Heterodyne and her friends, rivals, and minions, as a traditional print comic book.  Soon, however, they discovered they could reach far more readers on the Web. Girl Genius now runs online, with new pages posted three days a week, before being published in graphic novel form.

The most recent Girl Genius collection, Agatha Heterodyne and the Chapel of Bones, was nominated this year for a Hugo Award in the Graphic Fiction category.

Cat and Girl
By Dorothy Gambrell
catandgirl.com
For the past ten years, Dorothy Gambrell’s Cat and Girl, described as “a cat, a girl, and an experimental meta-narrative,” has run online and been featured in various print anthologies. Many of the strips consist of philosophical and political conversations between the cynical, intellectual Girl and the whimsical Cat, who likes polka, frosting, and eating paint.  Other characters include Girl’s hipster counterpart Grrrl; a beatnik vampire called, appropriately, Beatnik Vampire; the hapless Bad Decision Dinosaur; and the lovelorn Boy.

The Perry Bible Fellowship
By Nicholas Gurewitch
pbfcomics.com

The Perry Bible Fellowship first ran in the Syracuse University newspaper The Daily Orange.  It exploded in popularity when Nicholas Gurewitch began posting strips online in 2004.  As the darkly funny weekly gag strip progressed, Gurewitch expanded his artistic repertoire, experimenting with different art styles and creating pastiches of illustrators like Shel Silverstein and Edward Gorey.

PBF has won two Ignatz Awards for Outstanding Online Comic, a Harvey Award for Best Online Comics Work, and an Eisner Award for the print collection The Trial of Colonel Sweeto.  The newest collection, The Perry Bible Fellowship Almanack, spans the entirety of the online archive.


Dicebox
By Jenn Manley Lee
dicebox.net

Dicebox is a science-fiction graphic novel of epic scale.  Set in the distant future, the story follows a year in the lives of two female migrant workers, Griffen and Molly, as they journey from planet to planet.  Jenn Manley Lee, a graphic designer in Portland, Oregon, plans for the story to span four books with a total of 36 chapters.  Book One is now close to completion online.  

Dicebox has yet to be published outside of the Web, in part because the lavish full-color art would be expensive to publish in print.  Comics scholar Scott McCloud listed Dicebox as one of his “Personal Top Twenty” webcomics.

Family Man
By Dylan Meconis
lutherlevy.com

Dylan Meconis’ first webcomic, Bite Me!, begun while she was still in high school, was a slapstick comedy about vampires in revolutionary France.  Family Man, her current project, reworks some of the characters and concepts from Bite Me! into a meticulously researched graphic novel set in 18th-century Germany. Luther Levy, a young scholar and theologian, leaves his university job and begins stirring trouble within both his family and academia.

Meconis has also published work in the Flight anthology and illustrated the nonfiction comic Wire Mothers, written by Jim Ottaviani.

Achewood
By Chris Onstad
achewood.com

Since its launch in 2001, Achewood has developed into one of the funniest and most fascinating comics on the Web, but also one of the hardest to describe.  Updated roughly 2-3 times a week, the strip follows a group of cats, robots, and stuffed animals who live in Chris Onstad’s house as well as an alternative city called the Underground.  Over the years, the focus has settled on two characters, the wealthy, eccentric Ray Smuckles and his neurotic best friend Roast Beef.

In 2007, Time magazine named Achewood one of the top ten graphic novels of the year.  In the same year, it was declared Funniest Online Comic by Cracked.com. The strip has also won two Ignatz Awards for Outstanding Online Comic.  

Templar, AZ
By Spike
templaraz.com

Templar, Arizona is set in a fictional Arizona town in an alternate universe similar to, but not quite the same as, our own.  Roughly at the center of the constantly expanding cast of characters are introverted writer Ben, his flamboyant and dirty-minded neighbor Reagan, and gentle giant Scipio, who works as a bodyguard and owns a pet chicken.  Spike calls the series “culture fiction,” as the world of Templar is at least as important as the characters.

Templar, Arizona won a 2007 Glyph Comics Award for Rising Talent, as well as three 2009 Stumptown Trophy Awards for Outstanding Art, Outstanding Writing and Outstanding Webcomic.  To date, Spike has published three print collections.

 
 
cartoonart
These are some of the items that will be on the auction block during our big WonderCon Friday party at the Cartoon Art Museum on February 27. We'll be adding several more pieces of artwork, signed books, prints and more on the 27th.

If you'd like to place an advance bid on any of these items, please e-mail me at gallery@cartoonart.org and I'll fill you in on the details. And please pass this link along to any friends who might be interested:

Original pen & ink drawing with watercolors by Stan Sakai; opening bid $500:



Original Hawkman page by Ryan Sook & Mick Gray; opening bid $150:



Gene Colan portfolio, signed and numbered by the artist; opening bid $50:



Original comic by CAM Small Press Spotlight artist Ryan Claytor; opening bid $25:

 
 
cartoonart
23 October 2008 @ 04:15 pm
Colan:  Visions of a Man without Fear
Cartoon Art Museum Exhibition:  November 15, 2008 – March 15, 2009  

Opening Reception:  Thursday, December 4, 2008
With special guests Gene and Adrienne Colan




The Cartoon Art Museum is honored to celebrate the life and work of cartoonist Gene Colan with a career-spanning retrospective entitled  Colan:  Visions of a Man without Fear.  This exhibition will include over 40 examples from Colan’s long creative career, from his one and only story illustrated for legendary publisher EC Comics in 1952, through his career-defining work for Marvel Comics from the 1960s and 1970s on titles as diverse as Iron Man, Tomb of Dracula and Howard The Duck, to his notable run on DC Comics’ Batman in the 1980s, to his more recent efforts, including illustrations commissioned by his fans and his beautiful pencil artwork on titles such as Michael Chabon’s The Escapist, published by Dark Horse Comics.

This exhibition has been assembled by Guest Curator Glen David Gold, author of the novel Carter Beats the Devil and many comics-related essays.  An exhibition catalog featuring high-quality reproductions of Colan’s artwork and essays from many of his most notable collaborators, including writers Stan Lee, Marv Wolfman, Roy Thomas and Steve Englehart, will be available at the Cartoon Art Museum prior to the exhibition’s opening reception on December 4, 2008.  Gene Colan and his wife Adrienne will be the guests of honor at the December 4 reception, and many Bay Area comic book professionals are scheduled to be in attendance.  Additional information regarding this reception will be announced later this month.

About Gene Colan:

One of mainstream comics' most significant artists, Gene Colan was born in New York in 1926 and studied at the Art Students League of New York under illustrator Frank Riley and surrealistic Japanese painter Kuniashi. After a stint in the army, Colan's official career in comics began in 1944 at Fiction House and Timely. He has worked over the last 60 + years at almost every major publisher, including EC, Marvel, DC, Dark Horse, Bongo and Archie. His most memorable work includes unsurpassed runs on Daredevil, Iron Man, Sub-Mariner, Captain America, Captain Marvel, Dr. Strange, Tomb of Dracula and Howard the Duck, not to mention inspired depictions of Conan, Batman, Superman and Wonder Woman.

Beginning in the 1980s, Gene took on more varied and unusual work, including Nathaniel Dusk, Ragamuffins, The Spider (a graphic novel), Stewart the Rat, and Michael Chabon's The Escapist. Colan has taught at both the School of Visual Arts in Manhattan and the Fashion Institute of Technology. He has enjoyed showings at the Southern Vermont Museum of Art, the Bess Cutler Gallery in New York City and Manchester's Elm Street Arts Gallery where he lectured on Comics, Cinema, and Continuity Art.

Colan is the recipient of a Shazam Award, two Eagle awards and in 2005 was inducted into the Will Eisner Hall of Fame.

His style is immediately recognizable for its dramatic & sweeping cinematic form, mastery of light and shadow, expression and characterization, and unusual eye-catching layouts. Colan is also responsible for the innovative use of "finished pencils" as artwork. He's the only mainstream comic book artist today whose work is usually published directly from his pencil illustrations.
 
 
cartoonart


Please join the Cartoon Art Museum on Thursday, September 18 from 7:00-9:00pm to celebrate the release of Keith Knight's latest book, The Complete K Chronicles, published by Dark Horse Comics.

This event is free and open to the public.
 
 
 
 

Advertisement

Customize