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20 November 2009 @ 01:22 pm

December Cartoonist-in-Residence: Alan Groening
Cartoon Art Museum Event: Saturday, December 19th, 2009 1pm to 3pm
Free and Open to the public



The Cartoon Art Museum hosts cartoonist Alan Groening on Saturday, December 19, 2009 from 1pm to 3pm as part of its ongoing Cartoonist-in-Residence program. Museum visitors will be offered the chance to talk to him about cartooning and view Alan’s work.

From 1992 to 1997, Alan Groening was hard at work in the comic industry creating his own brand of cartoon funny books. After a successful 6 year and 13 issue series, he took some time off from professional art and returned to college to learn video editing and 3D model building and in 2003 began working on several short films. In 2007, and after only one semester of Macromedia Flash, he was contacted by a client to create two short animated educational videos teaching kids about the fundamentals of mathematics.

In 2009, Groening created the first in a string of short cartoons for Family Community Church. He is currently freelancing and creating other animated cartoons for his church.

This event is free and open to the public.

The Cartoon Art Museum regularly hosts professional cartoonist in its galleries as part of its Cartoonist-in-Residence program. Museum patrons see cartoonists at work on their latest projects and learn everything you ever wanted to know about cartoonists--but were afraid to ask. Past featured Cartoonists-in-Residence include Paul Madonna (All Over Coffee), Keith Knight (K Chronicles, (th)ink), Paige Braddock (Jane's World), Michael Jantze (The Norm) and Jimmy Gownley (Amelia Rules) among many others.

 
 
19 November 2009 @ 03:00 pm

Fantastic Mr. Fox

Cartoon Art Museum exhibition: November 24, 2009 – January 10, 2010


The Cartoon Art Museum proudly presents original works of art from Twentieth Century Fox’s feature film FANTASTIC MR. FOX, scheduled for nationwide release on November 25, 2009. This exhibit features two sets from the stop motion animated film, “Flint Mine – We Took Everything” and “Farmer Scale Yellow Door,” which include puppets and props used in the film’s production. These works will be displayed in conjunction with the Cartoon Art Museum’s permanent collection of classic animation cels and drawings throughout the holiday season.

About Fantastic Mr. Fox:

FANTASTIC MR. FOX is visionary director Wes Anderson’s first animated film, utilizing classic handmade stop motion techniques to tell the story of the best selling children’s book by Roald Dahl (author of Charlie and the Chocolate Factory and James and the Giant Peach). The film features the voices of George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Owen Wilson, Michael Gambon, Willem Dafoe and Eric Anderson.

Mr and Mrs Fox (Clooney and Streep) live an idyllic home life with their son Ash (Schwartzman) and visiting young nephew Kristopherson (Eric Anderson). But after 12 years, the bucolic existence proves too much for Mr Fox’s wild animal instincts. Soon he slips back into his old ways as a sneaky chicken thief and in doing so, endangers not only his beloved family, but the whole animal community. Trapped underground and with not enough food to go around, the animals band together to fight against the evil Farmers - Boggis, Bunce and Bean - who are determined to capture the audacious, fantastic Mr Fox at any cost.

Twentieth Century Fox presents, in association with Indian Paintbrush and Regency Enterprises, an American Empirical Picture, FANTASTIC MR. FOX. Directed by Wes Anderson and written for the screen by Wes Anderson and Noah Baumbach, the film is based on the book by Roald Dahl. The film is produced by Allison Abbate, Scott Rudin, Wes Anderson and Jeremy Dawson with Steven Rales and Arnon Milchan as executive producers.

The production team includes animation director Mark Gustafson, director of photography Tristan Oliver, production designer Nelson Lowry, music composed and conducted by Alexandre Desplat, supervising editor Andrew Weisblum, music supervisor Randall Poster and puppets fabricated by MacKinnon and Saunders.
 
 

Monsters of Webcomics:
Webcomic-Con 2009

Cartoon Art Museum event: Saturday, December 12, 2009, 11:00am-5:00pm,

Free with paid admission to the Cartoon Art Museum

The Cartoon Art Museum is proud to host Webcomic-Con 2009, a single-day mini-convention dedicated to online comics and their creators. Visitors will have the opportunity to meet local webcartoonists and talk with them about their work. The featured artists will sell and sign copies of their comics, draw sketches for patrons, and conduct writing and drawing workshops throughout the day.

Featured guests include Brian Andersen (So Super Duper, Reignbow & Dee-Va, http://www.sosuperduper.com), Leigh Dragoon (By The Wayside, The Faerie Path Manga, http://www.leighdragoon.com), Shaenon K. Garrity (Skin Horse, Narbonic, http://www.shaenon.com),
Victor Hao (King of RPGs, http://www.kingofrpgs.com), Karen Luk (Raconteur, http:/www.karenluk.net, http://www.girlamatic.com/raconteur/, Betsy Streeter (Brainwaves, http://www.betsystreeter.com) and Chuck Whelon (artist and co-writer of Pewfell, http://www.pewfell.com).

NOTE FOR WEBCARTOONISTS: If you are interested in participating in this event, please contact Andrew Farago at gallery@cartoonart.org for more details.

Monsters of Webcomics exhibition: August 8, 2009– January 24, 2010

The Internet has revolutionized all forms of communication, and comics are no exception. The Cartoon Art Museum explores the digital revolution in its latest exhibition, Monsters of Webcomics, a showcase of some of the best and boldest work published on the World Wide Web.

Cartoonists choose to work on the Web for many reasons. For some, it’s an opportunity to reach readers directly without going through editors, publishers, or syndicates. For others, it’s a chance to explore the artistic possibilities of the Web, whether that means working in a format that would be impossible in print, tackling subject matter most comic-book publishers won’t handle, or taking advantage of the rich palette available with digital coloring. Others simply want to share their comics with as many people as possible.

The comics by the ten artists featured in this exhibition run the gamut from four-panel comic strips to full-length graphic novels and include comedy, drama, history, science fiction, and sociopolitical commentary. As varied as this work is, however, it represents only a very small sample of the comics available on the Web. The Monsters of Webcomics exhibition also includes a virtual gallery that will highlight dozens of additional online comics.
 
 


From the Comic Strip to the Animated Short:
Cartoon Art Museum class for adults

For beginning and intermediate level cartoonists, at the Cartoon Art Museum

Monday and Tuesday, December 7 and 8, 2009, 5:30 - 7:30 PM
Cost: $40 for CAM members, $50 for non-members


From the Comic Strip to the Animated Short is a two-evening class held amongst the current collection at the San Francisco Cartoon Art Museum. This class will include docent tours of both the permanent Comic Strip and Animation exhibits and will give you a clear understanding of the history of the mediums. The class will consist of lectures, demonstrations, and activities essential to the creative process of cartooning, such as figure drawing, gesture, acting, proportion, writing, and composition. This class will prepare you with the basics of cartooning so that you can move forward with your own creations and projects, while learning in a truly inspirational space. This class is appropriate for beginner through intermediate level students.

Instructor: James Hummel
Date: Monday and Tuesday, December 7th and 8th, 2009
Time: 5:30 PM to 7:30 PM both days
Age: Adults 18 and up
Place: Cartoon Art Museum Galleries, San Francisco
Cost: $40 members / $50 non-members

Note: Both the Monday and Tuesday meetings are part of the same class.

Registration:
To register call: 415-227-8666 x303 or email: education@cartoonart.org

James Scott Hummell has a BFA in Illustration with an emphasis on Animation and Film. He has worked in a production capacity for 6 years in the Animation Industry for Bay Area studios such as Mondo Media, Wild Brain Inc, and Pixar Animation Studio.

Participants must be pre-paid to reserve a space in the class. We accept VISA or MC over the phone. Or you may pay by check (made out to the “Cartoon Art Museum” with "attn: Director of Education" on the envelope), or with cash in-person at the front desk of the museum. If pre-paying by cash, please notify the Director of Education at the above listed phone number prior to doing so. No refunds given after one week prior to the start of class.

 
 

Mr. Magoo’s Christmas Carol: The Magic Behind the Making of the First Animated Christmas Special

Booksigning and presentation with author Darrell Van Citters

Cartoon Art Museum Event: Tuesday, December 8, 2009, from 7:30pm to 9:00pm
Free and open to the public

The Cartoon Art Museum welcomes author Darrell Van Citters on Tuesday, December 8, 2009 from 7:30 to 9:00pm for a special presentation on the creation of Mister Magoo’s Christmas Carol, the first animated Christmas special. Van Citters will sign copies of his new book following his presentation.

Mr. Magoo and Charles Dickens may have seemed like an odd match at the time but Americans of a certain age will remember that the pairing resulted in bit of pure magic. Mr. Magoo’s Christmas Carol was the first-ever animated Christmas special, and is now the subject of a splendid new book by Darrell Van Citters.

With a sterling cast, whimsical animation and Broadway-caliber score all wrapped around Dickens’ timeless tale, Magoo became a fixture of the holiday season in the 1960s, but today is all but forgotten. That may be about to change as Van Citters, through interviews with the surviving cast and animation team and exhaustive research, demonstrates why the show deserves a special place in the annals of animation and television history.

Van Citters relates with wit and clarity the circuitous events that gave rise to the special. It was 1962 and television was just evolving into the public’s mass entertainment of choice. United Productions of America (UPA) had had success with its Magoo theatrical shorts, but hadn’t had similar luck in feature animation, and was looking at television for new opportunities. Enter producer Lee Orgel who came up with the idea for a Magoo “Christmas Carol” and worked tirelessly to sell it to NBC and sponsor Timex.

Orgel pulled together a truly remarkable cast. The late Jim Backus, the voice of Magoo, played the lead role, with support from Morey Amsterdam (Brady/James), Jack Cassidy (Bob Cratchit), Royal Dano (Marley’s Ghost) and Paul Frees (a half dozen characters), all working under the able direction of storied animation director Abe Levitow. Even more amazing, Orgel tapped Broadway veterans Jule Styne and Bob Merrill (who were simultaneously collaborating on Funny Girl) to write the score and lyrics with breathtaking results. Songs such as Winter was Warm and Ringle Ringle rank with the best of their work for the stage.

Mr. Magoo’s Christmas Carol was also an exemplar of a new style of animation. Not blessed with Disney’s sumptuous budgets, UPA had been forced to develop its own approach to animation that turned economy into a virtue. It limited animation, emphasizing design while boiling down sets and characters to their essence. When applied to the Magoo story by Levitow and his animation team, the results were simple, yet broadly appealing. The UPA style remains influential to this day.

Van Citters, a nationally renowned animation director who has worked with Warner Bros. and Disney, and currently heads Glendale, Calif.-based Renegade Animation, delves into his subject with the discerning eye of an inside expert and the zeal of a die-hard fan. He is thoroughly convincing in making the case that Mr. Magoo’s Christmas Carol deserves a place on everyone’s holiday shopping list—along with copies of his wonderful new book.

 
 
 
 

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