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05 February 2010 @ 11:27 am

 

ABubbleC

Saturday, February 20th, 2010 from 2pm to 4pm

Free and open to the public

(San Francisco, CA)  Visit the Cartoon Art Museum bookstore on Saturday, February 20, 2010 as we host San Jose-based illustrator Jim Hummel.  Hummel will be signing copies of his new book A Bubble C, a children’s book that showcases the alphabet through an entertaining adventure of two sisters.  Hummel has been a longtime illustrator for The San Jose Mercury News, among other publications.  This event is free and open to the public.

A Bubble C is an adventure of two twins, Morgan and Parker, as they initiate a treasure hunt in search of their birthdays.  In this journey, the twins encounter alphabetical creatures who help them find their way, but they must beware of…the stickers!  An unusual alphabet story, Hummel has created a host of characters for children to read again and again.

In addition to A Bubble C, Hummel also created its predecessor, The Two Sisters, a book about the girls’ adventures with numbers.

About Jim Hummel

Jim Hummel has been the Art Director of Pacific Stars and Stripes in Tokyo, Japan, as well as the Promotional Art Director for the Associated Press, New York, New York.  He was a longtime illustrator for the San Jose Mercury News in California and has won multiple awards including the National Cartoonists Society’s Advertising and Illustration Award, the Society of Illustrators Humor Award and the California Publishers Award.  Currently he lives in San Jose and teaches Illustration at San Jose State University, in addition to freelance work with San Jose Magazine, Burlingame Daily New and the San Francisco Airport Museum.

 
 
cartoonart
05 February 2010 @ 11:26 am

 

jdyer

Saturday, February 20th, 2010 12pm  to 2pm
Free and Open to the public

The Cartoon Art Museum hosts cartoonist Jamaica Dyer on Saturday, February 20th, 2010 from 12pm to 2pm as part of its ongoing Cartoonist-in-Residence program.  Museum visitors will be offered the chance to talk to her about cartooning and view Jamaica’s work.

Jamaica Dyer is a Bay Area native, growing up in Santa Cruz and now living in San Francisco. Her drawings and stories as a kid led to an interest in femme fatales and comic books, and by the time she was 16 she was photocopying comics she’d drawn and distributing them at stores and convention floors. Her comics have appeared in anthologies like Spark Generators 2, Juicy Mother 2 and Dark Horse Myspace Presents 3. SLG recently released Jamaica’s first graphic novel, Weird Fishes, that collects her webcomic of the same name “with all of the oddness and beauty that you would expect from her work.”  Her work has a surreal side to it, dealing with adolescence and fantasies, and her artwork usually involves delicate lines and watercolors.

Weird Fishes is the story of two outsider kids who come to terms with their identities. Dee is a girl who sees giant talking ducks, and The Bunny Boy’s worn the same Halloween costume for years. The kids stop playing together and start growing into teenagers, and the ducks become monsters and the bunnysuits become mod suits, and just as things start to settle, the world changes forever.

Dyer opened a gallery show in December at Mission: Comics and Art featuring paintings and sketches from Weird Fishes. Many of the original painted pages from her comic have been on display at the SLG Boutiki Gallery in San Jose. When not painting and developing her new book, Jamaica works in animation creating Flash cartoons.

This event is free and open to the public.

 
 
cartoonart

emily

Sunday, February 14th, 2010 from 1pm to 3pm
Book Signing with Rob Reger and Buzz Parker
Free and open to the public

Celebrate Valentines Day with Emily the Strange creators and Illustrators Rob Reger and Buzz Parker. Emily the Strange came to life in the early 1990s and quickly became a beloved counterculture icon all around the world. In her earliest years, she was a quiet but sharp-witted stranger, slinging philosophy and cultural observations in a series of hand-screened t-shirts and stickers. As her presence grew and became a standard in the cultural underground, Emily’s own story began to emerge in a series of gift books, then comic-books and graphic novels, and now a novel series for young adults.

Emily’s not your average thirteen year-old-girl. Pink is her worst nightmare…she wears the same black dress every day. She loves math and science. Her best friends are her four BLACK CATS! She’s into old rock & punk, but also digs newer bands like My Chemical Romance.

Today, Emily continues to be a voice for individualism and self-awareness, and her appeal is especially strong among alternative-minded young women and girls who identify with her signature singularity. Her presence in the worlds of art, pop culture, literature, and fashion celebrates non-conformist and reminds us all to cultivate that which makes us unique.

This event is free and open to the public. Sweet treats will provided by From Scratch.

 
 
cartoonart
21 January 2010 @ 04:59 pm

Ed Hannigan:  Covered

Presented by The Cartoon Art Museum and The Hero Initiative

Cartoon Art Museum exhibition: February 13 – June 20, 2010

Reception and Charity Auction:  April 2, 2010
 



The Cartoon Art Museum and the Hero Initiative proudly present Ed Hannigan:  Covered, a retrospective exhibition celebrating the art of Ed Hannigan.  This retrospective features a selection of covers and original artwork created by Hannigan for Marvel Comics and DC Comics in the 1970s and 1980s, including such popular characters as Batman, Superman, Spider-Man and The Defenders.  

Today, Hannigan is 58 years old and has multiple sclerosis.  The Hero Initiative, a charitable organization that provides financial assistance to comic book professionals in need, and Marvel Comics have collaborated on a tribute book, Ed Hannigan:  Covered, that features highlights from Hannigan’s artistic career.  The Cartoon Art Museum will display some of Hannigan’s most notable covers alongside the cover and complete interior artwork for one of his most famous single-issue stories, The Spectacular Spider-Man #64, which introduced the crime-fighting duo Cloak and Dagger.  

Sponsorship for this exhibition has been provided by The Comic Outpost.  The Comic Outpost, located on 2381 Ocean Ave. San Francisco, CA has been fulfilling the needs of comic book lovers for well over 15 years.  Current owners Gary Buechler and Roger Yan firmly believe their customer service and subscriber program is second to none.  For more questions, visit their website at www.comicoutpost.net or call (415) 239-2669.

SAVE THE DATE:  An auction of original artwork will be held at the Cartoon Art Museum on Friday, April 2, 2010, in conjunction with San Francisco’s WonderCon comics convention.

About Ed Hannigan

Ed was born August 6, 1951 in Newport, Rhode Island, the first of what would become eight children. His dad was an officer in the U.S. Navy, and later an engineer/sales executive for Tidewater Oil (later to become Getty Oil). He grew up throughout the Northeast, where his grandmother used to give him comic books. With their help, he learned to read at a young age, particularly impressed with World's Finest, featuring Superman and Batman.

Ed soon became a Marvel fanatic, and was determined to draw comic books some day. In high school in Ashland, Massachusetts he practiced drawing constantly and produced comics of his own. He also illustrated the senior yearbook. In 1971, after moving to New Jersey, he managed to wrangle an invitation to visit Marvel Comics’ offices. He showed his art samples to the folks there—Marie Severin, Mike Esposito, Herb Trimpe and others. They were polite, but less than impressed. But he still kept coming around. Then one day Sol Brodsky needed someone to do some lettering corrections on the British weekly reprint series, Mighty World of Marvel. Ed volunteered and for a short while, became a letterer.

Sol then needed someone to do some zip-a-tone shading on the same reprint line. Ed and Klaus Janson took on that job and were friendly rivals for a while as they shaded photostats of old Spider-Man, Fantastic Four and Thor stories. But Ed did not give up on drawing comics, practicing and learning from the pros at Marvel. Eventually he was allowed to do some sketches for those same British reprints and finally was given a Planet of the Apes cover to draw. After that he started helping Art Director John Romita to design covers for other artists and occasionally himself to draw. He also illustrated some stories. By and by, Ed became the busiest comic cover sketch artist in the place. At one time or another he did cover designs for just about every comic in the line.

Ed tried to tailor cover designs to the style of whichever artist was going to do the final art, but he also introduced some trademark features of his own, most famously, "messing with the logo" in some way or another, destroying or distorting it. The sketches became more elaborate and often were fully colored. He continued to draw some stories ands even wrote a few (Defenders was his longest run), but cover sketches were his mainstay for the next several years, and that's what he is best known for in the industry.

When the comics business contracted in the early 1990s, Ed was forced to find other employment. He end up doing computer graphics for a publisher in Massachusetts for nine years. In the course of those years, he was diagnosed with Multiple Sclerosis, which at first was a minor annoyance, but soon progressed to a major disability. He now lives in New Hampshire with his wife and two children.

About The Hero Initative

The Hero Initiative is the first-ever federally chartered not-for-profit corporation dedicated strict to helping comic book creators in need. Hero creates a financial safety net for yesterday’s creators who may need emergency medical aid, financial support for essentials of life, and an avenue back into paying work. It’s a chance for all of us to give back something to the people who have given us so much enjoyment.

Since its inception, The Hero Initiative has had the good fortune to grant over $400,000 to the comic book veterans who have paved the way for those in the industry today. For more information, visit www.heroinitiative.org or call 626-676-6354.

About the Cartoon Art Museum

Founded in 1984, the Cartoon Art Museum is the only museum in the western United States dedicated to cartoons and comics.  The Museum was started by a group of cartoonists and collectors who wanted to share their appreciation of this unique art form with the rest of the world.  The Museum is dedicated to the collection, preservation, study and exhibition of original cartoon art in all forms to benefit historians, cartoonists, journalists, artists, collectors and the general public.

 
 
cartoonart
21 January 2010 @ 04:55 pm

PvP @ CAM
Presentation and booksigning with Scott Kurtz

Cartoon Art Museum Event:  Thursday, February 11, 2010, from 7:00pm to 9:00pm
$5 suggested donation



 

The Cartoon Art Museum welcomes Scott Kurtz, creator of the popular webcomic PvP: Player vs. Player from 7:00 to 9:00pm on Thursday, February 11 for a special presentation on the business of webcomics.  Kurtz will discuss the origins of his award-winning comic, the ups and downs of web distribution, and will engage the audience in an informative discussion on how—and why—to self-syndicate your own comics.  A booksigning will follow the presentation.

About Scott Kurtz


Scott Kurtz has been creating comics since age nine. He attended the University of North Texas where his daily strip, Captain Amazing, appeared for four semesters in the college paper. Kurtz' earlier strips Tales from the Tavern, Wedlock and Samwise earned him his first online audiences and gained him notice in the computer gaming industry. His current on-line comic, PvP: Player Vs. Player has been appearing daily since 1998 and has a following of over 150,000 readers a day. PVP won the 2006 Eisner Award for Best Digital Comic.


 
 
cartoonart
Small Press Spotlight on Andy Ristaino

Cartoon Art Museum Exhibition: December 19, 2009 – March 14, 2010
Reception Thursday, January 28, 2010, 7:00-9:00pm
Reception is free and open to the public.



Beginning on December 19th, 2009, the Cartoon Art Museum's ongoing Small Press Spotlight will feature the art of Andy Ristaino.

Andy Ristaino is a cartoonist and animator currently residing in the San Francisco. Originally from Franklin, Massachusetts, he has been drawing comics ever since he could. His first published work, a comic strip based on Greek myths entitled Myth Conceptions, appeared in The Pompeiiana Newsletter when he was in high school between 1992 and 1994. He attended the Rhode Island School of Design majoring in illustration/animation, during which time he self published two issues of his martial arts comedy zine Nightblade The Nearsighted Ninja, and drew a back up story featuring the character Dangerman, in Oz Squad from Patchwork Press.

Ristaino’s first solo book Life of a Fetus, a story about a bored baby who decides to jump out of the womb early and go on a road trip, was published by SLG comics in 1999 and ran for seven issues. This was soon followed by the spin off series The Babysitter, A send-up of Japanese pop culture. All three issue of The Babysitter have recently been collected by SLG comics. Ristaino’s work tends to focus on themes of the strangeness of life and the fragility of the human psyche, claustrophobia, and the odd space between understanding and incoherence. He looks at storytelling as something liquid.

His work has appeared in numerous comic anthologies such as Meathaus S.O.S., Spectrum 16, Tales of Hot Rod Horror, Spark Generators 2, Pet Noir, Go for the Gold, and the soon to be published Popgun vol. 4 from Image comics. His children’s comic the Uncredibly Confabulated Tales of Lucinda Ziggles was a regular fixture in the now defunct Nickelodeon Magazine.

Ristaino anticipates the publishing of his next SLG graphic novel Escape from Dullsville, a 288 page collection of Life of a Fetus with over 80 pages of unpublished material, sometime in 2010.

For more information about Andy Ristaino’s works and upcoming events, please visit http://www.skronked.blogspot.com and http://www.skronked.com.

The reception for this exhibition will take place Thursday, January 28, 2010 from 7:00-9:00pm. This reception is free and open to the public.
 
 
cartoonart
11 January 2010 @ 08:15 pm
Batman: Yesterday and Tomorrow

Cartoon Art Museum exhibition: January 30 – June 6, 2010
Programming to be announced






For over 70 years, audiences have thrilled to the adventures of Batman, one of the most popular and enduring fictional characters of the modern age. From his first appearance in Detective Comics in 1939 to the blockbuster Dark Knight film of 2008, Gotham City's Caped Crusader has taken on many forms, from cartoonish and campy to dark and disturbed, from daring detective to grim force of vengeance.

The Cartoon Art Museum’s new exhibition, Batman: Yesterday and Tomorrow, showcases six strikingly different interpretations of the Dark Knight, representing some of the boldest visionaries to illustrate the DC Comics icon. Featured artists include Bob Kane and Bill Finger, who created Batman in 1939; Neal Adams, whose detailed artistry redefined comics in the 1970s; Frank Miller, whose graphic novel The Dark Knight Returns pioneered the modern, mature concept of Batman; Pepe Moreno, whose Batman: Digital Justice was the first graphic novel with entirely computer-generated art; and acclaimed artist Paul Pope, whose Batman: Year 100 pays homage to the original Batman comics and looks ahead to Gotham City of the year 2039.

In 1960s Japan, the popularity of the Batman TV show starring Adam West and Burt Ward sparked demand for new Batman comics. The weekly magazine Shonen King secured the rights to publish original Batman manga, which artist Jiro Kuwata wrote and illustrated from 1966 to 1967. These comics were virtually unknown in the United States until author and designer Chip Kidd's award-winning 2008 book Bat-Manga! The Secret History of Batman in Japan. A selection of Kuwata's art from Kidd's personal collection will be featured in Batman: Yesterday and Tomorrow, marking the Cartoon Art Museum's first extensive exhibition of original manga artwork.

Programming featuring Chip Kidd, Pepe Moreno and Paul Pope is currently being planned. More details will be announced as these programs are finalized.
 
 
cartoonart
11 January 2010 @ 08:06 pm
Drawing the Sword: Samurai in Manga and Anime
Cartoon Art Museum exhibition: January 16 – May 2, 2010




NEW ANIME EXHIBIT CUTS INTO THE PAST AND REVEALS HIDDEN TREASURES

San Francisco, CA - The popular Japanese art forms of manga and anime cut into the past and assume their rightful place in the canon of fine art in a new exhibit at the Cartoon Art Museum. Drawing the Sword: Samurai in Manga and Anime (January 16 through May 2, 2010) explores the complex evolution of Japanese artistic traditions by demonstrating the ever-changing image of the iconic samurai.

Curated by Julian Bermudez, the exhibit juxtaposes 19th century woodblock prints with 21st animation production cels and drawings. Additionally, the exhibit includes animation production models, motion picture stills, original comic book drawings, American and Japanese comic books, and toys from private collections. Popular titles on display throughout the exhibit include fan favorites such as Afro Samurai, Bleach, Evangelion, Gundam, Rurouni Kenshin, Samurai Champloo, Samurai Jack, Lone Wolf and Cub, Usagi Yojimbo, and Wolverine.

Drawing the Sword: Samurai in Manga and Anime is a visual exploration across time. Each section illustrates the unique styles and designs of one of Japan’s fastest growing exports, as well as their influences on American culture. However, the exhibit also examines significant social issues relevant to our times: mass globalization, war, peace, identity, and nationalism. It is through this visual history that the exhibit affirms manga and anime as true works of art, and demonstrates the links between fine art and popular culture.

About the Cartoon Art Museum:

The Cartoon Art Museum’s key function is to preserve, document, and exhibit this unique and accessible art form. Through traveling exhibitions and other exhibit-related activities — such as artists-in-residence, lectures, and outreach — the museum has taken cartoon art and used it to communicate cultural diversity in the community, as well as the importance of self-expression. In the museum’s 25-plus years of existence it has produced over 100 exhibitions and 20 publications celebrating and examining the diversity of cartoon art in animation, comics, graphic novels, zines, book illustration, and more.

About the Curator:

Julian Bermudez is a Los Angeles-based independent curator and producer. His multi-media art exhibits and installations have engaged multiple viewers through a variety of experiences, including sound and video. Recent projects include The Persistence of Vision and Pacifika: Young Perspectives on Pacific Island Art.

For more information or to schedule an interview, please contact Julian Bermudez at juliabermudez@hotmail.com or Andrew Farago at gallery@cartoonart.org. Images available upon request.
 
 
cartoonart
01 December 2009 @ 01:03 pm

Small Press Spotlight on Andy Ristaino

Cartoon Art Museum Exhibition: December 19, 2009 – March 14, 2010




Beginning on December 19th, 2009, the Cartoon Art Museum's ongoing Small Press Spotlight will feature the art of Andy Ristaino.

Andy Ristaino is a cartoonist and animator currently residing in the San Francisco. Originally from Franklin, Massachusetts, he has been drawing comics ever since he could. His first published work, a comic strip based on Greek myths entitled Myth Conceptions, appeared in The Pompeiiana Newsletter when he was in high school between 1992 and 1994. He attended the Rhode Island School of Design majoring in illustration/animation, during which time he self published two issues of his martial arts comedy zine Nightblade The Nearsighted Ninja, and drew a back up story featuring the character Dangerman, in Oz Squad from Patchwork Press.

Ristaino’s first solo book Life of a Fetus, a story about a bored baby who decides to jump out of the womb early and go on a road trip, was published by SLG comics in 1999 and ran for seven issues. This was soon followed by the spin off series The Babysitter, A send-up of Japanese pop culture. All three issue of The Babysitter have recently been collected by SLG comics. Ristaino’s work tends to focus on themes of the strangeness of life and the fragility of the human psyche, claustrophobia, and the odd space between understanding and incoherence. He looks at storytelling as something liquid.

His work has appeared in numerous comic anthologies such as Meathaus S.O.S., Spectrum 16, Tales of Hot Rod Horror, Spark Generators 2, Pet Noir, Go for the Gold, and the soon to be published Popgun vol. 4 from Image comics. His children’s comic the Uncredibly Confabulated Tales of Lucinda Ziggles was a regular fixture in the now defunct Nickelodeon Magazine.

Ristaino anticipates the publishing of his next SLG graphic novel Escape from Dullsville, a 288 page collection of Life of a Fetus with over 80 pages of unpublished material, sometime in 2010.

For more information about Andy Ristaino’s works and upcoming events, please visit http://www.skronked.blogspot.com and http://www.skronked.com.

 
 
cartoonart
20 November 2009 @ 01:22 pm

December Cartoonist-in-Residence: Alan Groening
Cartoon Art Museum Event: Saturday, December 19th, 2009 1pm to 3pm
Free and Open to the public



The Cartoon Art Museum hosts cartoonist Alan Groening on Saturday, December 19, 2009 from 1pm to 3pm as part of its ongoing Cartoonist-in-Residence program. Museum visitors will be offered the chance to talk to him about cartooning and view Alan’s work.

From 1992 to 1997, Alan Groening was hard at work in the comic industry creating his own brand of cartoon funny books. After a successful 6 year and 13 issue series, he took some time off from professional art and returned to college to learn video editing and 3D model building and in 2003 began working on several short films. In 2007, and after only one semester of Macromedia Flash, he was contacted by a client to create two short animated educational videos teaching kids about the fundamentals of mathematics.

In 2009, Groening created the first in a string of short cartoons for Family Community Church. He is currently freelancing and creating other animated cartoons for his church.

This event is free and open to the public.

The Cartoon Art Museum regularly hosts professional cartoonist in its galleries as part of its Cartoonist-in-Residence program. Museum patrons see cartoonists at work on their latest projects and learn everything you ever wanted to know about cartoonists--but were afraid to ask. Past featured Cartoonists-in-Residence include Paul Madonna (All Over Coffee), Keith Knight (K Chronicles, (th)ink), Paige Braddock (Jane's World), Michael Jantze (The Norm) and Jimmy Gownley (Amelia Rules) among many others.

 
 
cartoonart
19 November 2009 @ 03:00 pm

Fantastic Mr. Fox

Cartoon Art Museum exhibition: November 24, 2009 – January 10, 2010


The Cartoon Art Museum proudly presents original works of art from Twentieth Century Fox’s feature film FANTASTIC MR. FOX, scheduled for nationwide release on November 25, 2009. This exhibit features two sets from the stop motion animated film, “Flint Mine – We Took Everything” and “Farmer Scale Yellow Door,” which include puppets and props used in the film’s production. These works will be displayed in conjunction with the Cartoon Art Museum’s permanent collection of classic animation cels and drawings throughout the holiday season.

About Fantastic Mr. Fox:

FANTASTIC MR. FOX is visionary director Wes Anderson’s first animated film, utilizing classic handmade stop motion techniques to tell the story of the best selling children’s book by Roald Dahl (author of Charlie and the Chocolate Factory and James and the Giant Peach). The film features the voices of George Clooney, Meryl Streep, Jason Schwartzman, Bill Murray, Owen Wilson, Michael Gambon, Willem Dafoe and Eric Anderson.

Mr and Mrs Fox (Clooney and Streep) live an idyllic home life with their son Ash (Schwartzman) and visiting young nephew Kristopherson (Eric Anderson). But after 12 years, the bucolic existence proves too much for Mr Fox’s wild animal instincts. Soon he slips back into his old ways as a sneaky chicken thief and in doing so, endangers not only his beloved family, but the whole animal community. Trapped underground and with not enough food to go around, the animals band together to fight against the evil Farmers - Boggis, Bunce and Bean - who are determined to capture the audacious, fantastic Mr Fox at any cost.

Twentieth Century Fox presents, in association with Indian Paintbrush and Regency Enterprises, an American Empirical Picture, FANTASTIC MR. FOX. Directed by Wes Anderson and written for the screen by Wes Anderson and Noah Baumbach, the film is based on the book by Roald Dahl. The film is produced by Allison Abbate, Scott Rudin, Wes Anderson and Jeremy Dawson with Steven Rales and Arnon Milchan as executive producers.

The production team includes animation director Mark Gustafson, director of photography Tristan Oliver, production designer Nelson Lowry, music composed and conducted by Alexandre Desplat, supervising editor Andrew Weisblum, music supervisor Randall Poster and puppets fabricated by MacKinnon and Saunders.
 
 
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Monsters of Webcomics:
Webcomic-Con 2009

Cartoon Art Museum event: Saturday, December 12, 2009, 11:00am-5:00pm,

Free with paid admission to the Cartoon Art Museum

The Cartoon Art Museum is proud to host Webcomic-Con 2009, a single-day mini-convention dedicated to online comics and their creators. Visitors will have the opportunity to meet local webcartoonists and talk with them about their work. The featured artists will sell and sign copies of their comics, draw sketches for patrons, and conduct writing and drawing workshops throughout the day.

Featured guests include Brian Andersen (So Super Duper, Reignbow & Dee-Va, http://www.sosuperduper.com), Leigh Dragoon (By The Wayside, The Faerie Path Manga, http://www.leighdragoon.com), Shaenon K. Garrity (Skin Horse, Narbonic, http://www.shaenon.com),
Victor Hao (King of RPGs, http://www.kingofrpgs.com), Karen Luk (Raconteur, http:/www.karenluk.net, http://www.girlamatic.com/raconteur/, Betsy Streeter (Brainwaves, http://www.betsystreeter.com) and Chuck Whelon (artist and co-writer of Pewfell, http://www.pewfell.com).

NOTE FOR WEBCARTOONISTS: If you are interested in participating in this event, please contact Andrew Farago at gallery@cartoonart.org for more details.

Monsters of Webcomics exhibition: August 8, 2009– January 24, 2010

The Internet has revolutionized all forms of communication, and comics are no exception. The Cartoon Art Museum explores the digital revolution in its latest exhibition, Monsters of Webcomics, a showcase of some of the best and boldest work published on the World Wide Web.

Cartoonists choose to work on the Web for many reasons. For some, it’s an opportunity to reach readers directly without going through editors, publishers, or syndicates. For others, it’s a chance to explore the artistic possibilities of the Web, whether that means working in a format that would be impossible in print, tackling subject matter most comic-book publishers won’t handle, or taking advantage of the rich palette available with digital coloring. Others simply want to share their comics with as many people as possible.

The comics by the ten artists featured in this exhibition run the gamut from four-panel comic strips to full-length graphic novels and include comedy, drama, history, science fiction, and sociopolitical commentary. As varied as this work is, however, it represents only a very small sample of the comics available on the Web. The Monsters of Webcomics exhibition also includes a virtual gallery that will highlight dozens of additional online comics.
 
 
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From the Comic Strip to the Animated Short:
Cartoon Art Museum class for adults

For beginning and intermediate level cartoonists, at the Cartoon Art Museum

Monday and Tuesday, December 7 and 8, 2009, 5:30 - 7:30 PM
Cost: $40 for CAM members, $50 for non-members


From the Comic Strip to the Animated Short is a two-evening class held amongst the current collection at the San Francisco Cartoon Art Museum. This class will include docent tours of both the permanent Comic Strip and Animation exhibits and will give you a clear understanding of the history of the mediums. The class will consist of lectures, demonstrations, and activities essential to the creative process of cartooning, such as figure drawing, gesture, acting, proportion, writing, and composition. This class will prepare you with the basics of cartooning so that you can move forward with your own creations and projects, while learning in a truly inspirational space. This class is appropriate for beginner through intermediate level students.

Instructor: James Hummel
Date: Monday and Tuesday, December 7th and 8th, 2009
Time: 5:30 PM to 7:30 PM both days
Age: Adults 18 and up
Place: Cartoon Art Museum Galleries, San Francisco
Cost: $40 members / $50 non-members

Note: Both the Monday and Tuesday meetings are part of the same class.

Registration:
To register call: 415-227-8666 x303 or email: education@cartoonart.org

James Scott Hummell has a BFA in Illustration with an emphasis on Animation and Film. He has worked in a production capacity for 6 years in the Animation Industry for Bay Area studios such as Mondo Media, Wild Brain Inc, and Pixar Animation Studio.

Participants must be pre-paid to reserve a space in the class. We accept VISA or MC over the phone. Or you may pay by check (made out to the “Cartoon Art Museum” with "attn: Director of Education" on the envelope), or with cash in-person at the front desk of the museum. If pre-paying by cash, please notify the Director of Education at the above listed phone number prior to doing so. No refunds given after one week prior to the start of class.

 
 
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Mr. Magoo’s Christmas Carol: The Magic Behind the Making of the First Animated Christmas Special

Booksigning and presentation with author Darrell Van Citters

Cartoon Art Museum Event: Tuesday, December 8, 2009, from 7:30pm to 9:00pm
Free and open to the public

The Cartoon Art Museum welcomes author Darrell Van Citters on Tuesday, December 8, 2009 from 7:30 to 9:00pm for a special presentation on the creation of Mister Magoo’s Christmas Carol, the first animated Christmas special. Van Citters will sign copies of his new book following his presentation.

Mr. Magoo and Charles Dickens may have seemed like an odd match at the time but Americans of a certain age will remember that the pairing resulted in bit of pure magic. Mr. Magoo’s Christmas Carol was the first-ever animated Christmas special, and is now the subject of a splendid new book by Darrell Van Citters.

With a sterling cast, whimsical animation and Broadway-caliber score all wrapped around Dickens’ timeless tale, Magoo became a fixture of the holiday season in the 1960s, but today is all but forgotten. That may be about to change as Van Citters, through interviews with the surviving cast and animation team and exhaustive research, demonstrates why the show deserves a special place in the annals of animation and television history.

Van Citters relates with wit and clarity the circuitous events that gave rise to the special. It was 1962 and television was just evolving into the public’s mass entertainment of choice. United Productions of America (UPA) had had success with its Magoo theatrical shorts, but hadn’t had similar luck in feature animation, and was looking at television for new opportunities. Enter producer Lee Orgel who came up with the idea for a Magoo “Christmas Carol” and worked tirelessly to sell it to NBC and sponsor Timex.

Orgel pulled together a truly remarkable cast. The late Jim Backus, the voice of Magoo, played the lead role, with support from Morey Amsterdam (Brady/James), Jack Cassidy (Bob Cratchit), Royal Dano (Marley’s Ghost) and Paul Frees (a half dozen characters), all working under the able direction of storied animation director Abe Levitow. Even more amazing, Orgel tapped Broadway veterans Jule Styne and Bob Merrill (who were simultaneously collaborating on Funny Girl) to write the score and lyrics with breathtaking results. Songs such as Winter was Warm and Ringle Ringle rank with the best of their work for the stage.

Mr. Magoo’s Christmas Carol was also an exemplar of a new style of animation. Not blessed with Disney’s sumptuous budgets, UPA had been forced to develop its own approach to animation that turned economy into a virtue. It limited animation, emphasizing design while boiling down sets and characters to their essence. When applied to the Magoo story by Levitow and his animation team, the results were simple, yet broadly appealing. The UPA style remains influential to this day.

Van Citters, a nationally renowned animation director who has worked with Warner Bros. and Disney, and currently heads Glendale, Calif.-based Renegade Animation, delves into his subject with the discerning eye of an inside expert and the zeal of a die-hard fan. He is thoroughly convincing in making the case that Mr. Magoo’s Christmas Carol deserves a place on everyone’s holiday shopping list—along with copies of his wonderful new book.

 
 
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 Cartoon Story-telling with Joe Wos

 

Cartoon Art Museum Event:  Sunday, November 29, 2009, 1:00pm and 3:00pm

 

 

 

 



Watch drawings come to life, and learn how to create your own, as Joe Wos presents his original blend of storytelling and live cartoon illustration, an unforgettable and entertaining experience that children and adults of all ages will enjoy.  Wos will perform his stories at the Cartoon Art Museum on Sunday, November 29, 2009 at 1:00pm and 3:00pm followed by a signing of copies of his instructional DVD, How to Toon (available in the Cartoon Art Museum bookstore).  Performance is included with the cost of admission.

Wos will also be performing at the Charles M. Schulz Museum as part of his travels.  Please visitwww.schulzmuseum.org for details.  

With prods from the audience, children and adults alike, Wos weaves both original tales and re-tells the classics.   The stories, a combination of performance, literary and visual art, are renditions of folk tales and fairy tales with a twist.

“I never know what’s going to spawn an idea for a story,” says Wos.  Joe Wos is the current Executive Director of Toonseum at the Children’s Museum in Pittsburgh, Pennsylvania and has been telling stories while drawing them since 1991.  Wos has performed across the United States, including New York, St. Louis, Atlanta, New Orleans and now is returning to San Francisco, with further stops including the Charles M. Schulz Museum in Santa Rosa.

How to Toon, Wos’ instructional DVD, was filmed at the Charles M. Schulz Museum and has a special introduction by Jean Schulz.  A step-by-step process using imagination exercises, stories and drawing instructions, Wos not only teaches how to draw, but how to create a story.  

Joe Wos is a freelance cartoonist and storyteller from Pittsburgh, PA, who has been sharing his talents with audiences across the nation for the past 10 years.  He founded and is the current Executive Director of Toonseum at the Children’s Museum in Pittsburgh, PA.  For more information on Wos and his performances, check out his website at www.onceuponatoon.com.

The duration of each performance is approximately 20 minutes.  Bring your own ideas and imagination to the event and help take part in Wos’s creative storytelling process.

 
 
cartoonart
29 October 2009 @ 11:19 pm
 DOLLTOPIA: New from Abby Denson and Green Candy Press this Fall! 

Cartoon Art Museum Event:  Sunday, November 8, 2009 1pm to 3pm
Free and open to the public



Green Candy Press is proud to announce the publication of Abby Denson’s latest graphic novel,Dolltopia.  Denson’s cross-country promotional tour wraps up at the Cartoon Art Museum onSunday, November 8 with a special booksigning—featuring cupcakes and a doll contest!
 
Lulu Award-winning cartoonist Abby Denson is a rock n’ roll ‘Jane of all trades’ and creator of the queer comic Tough Love: High School Confidential, and now she’s bringing the punked-up Barbies and stripped-down Kens of her new book Dolltopia on the road! 
 
Having written scripts for Archie Comics (Sabrina the Teenage Witch), DC Comics (Powerpuff Girls), Simpsons Comics, and Marvel (Amazing Spider-Man Family), and between teaching comic book classes and playing in a whole host of punk bands, Abby has now gone back to her roots and returned to her childhood habit of making her dolls ‘different’ and setting them free from their predetermined fates. 
 
Dolltopia is the story of Kitty, a ballerina doll forced into a not-so-happily-ever-after living arrangement with a male jock toy. Filled with discontent, Kitty takes it upon herself to escape her human-imposed domesticity and create a new life and a new image for herself away from the persecution of the human world. On this mission, she finds not only a host of like-minded individuals, but a veritable heaven for the alternative doll: Dolltopia. 
 
It’s not all child’s play though: Abby’s comics explore the hugely relevant themes of identity, individuality and making a mark within a society that seeks to sterilize and monopolize. Dolltopiais a smart and sassy allegory for modern life and the need for self-expression, with reference to such hot topics as queer politics, feminism, plastic surgery, depression, and even the free will debate arising from the creator-creation relationship.  
 
Having started as a one-page comic in 2002, Dolltopia has since taken on a life of it’s own, growing into a 24-page mini-comic, and ultimately, into a full-blown graphic novel. The Dolltopia graphic novel will be published in a deluxe edition with pink spot color throughout and French flaps with paper dolls designed into them.
Dolltopia has been embraced by the New York art scene, comic book fans, and has even been used in queer theory college courses. 
 

Join the doll revolution and discover that these dolls are more than just toys!



Dolltopia by Abby Denson
ISBN: 978-1931160-70-4, $15.00, 128 pages
Release Date: October 15th, 2009, Published by Green Candy Press

A 12-page preview of Dolltopia can be found here on Abby’s website:

http://www.abbycomix.com/dolltopia-1/

A full PDF of chapter one can be downloaded here:

http://www.abbycomix.com/presskit/

For review copies or author interviews, please contact heather@greencandypress.com

DOLLTOPIA FALL 09 TOUR:

Sep 26 – Bethesda - Small Press Expo
 
Oct 2 – New York - Rocketship
 
Oct 3 – New York - Giant Robot
 
Oct 16 – Toronto – The Beguiling (w/ Matt Loux)
 
Oct 23 – Portland, ME – Casablanca Comics (w/ Tim Fish)

Oct 24 – Boston – Comicopia (w/ Tim Fish)

Oct 25 – New York – Wonderland Beauty Salon
 
Oct 31 – Vancouver – Elfsar Comics

Nov 1 – Vancouver – Emily Carr University of Art and Design

Nov 4 – Portland, OR – In Other Words

Nov 5 – Portland, OR – Floating World Comics
 
Nov 6 – San Francisco – Modern Times

Nov 7 – San Francisco – A Different Light

Nov 7 – San Francisco – Giant Robot

Nov 8 – San Francisco – Cartoon Art Museum

 
 
 
cartoonart
29 October 2009 @ 11:16 pm
 November Cartoonist-in-Residence:  Debbie Huey

Cartoon Art Museum Event:  Saturday, November 14th, 2009 1pm  to 3pm 
Free and Open to the public





The Cartoon Art Museum hosts cartoonist Debbie Huey on Saturday, November 14, 2009 from 1pm to 3pm as part of its ongoing Cartoonist-in-Residence program.  Museum visitors will be offered the chance to talk to her about cartooning and view Debbie’s work.
 
Debbie Huey is the artist, writer, and creator of the all-ages Bumperboy comics series.  Born and raised in the San Francisco Bay Area, Huey received her Bachelor's degree in Fine Arts in 2000 at the University of California, Santa Cruz. She admits she had never purchased a comic book until the age of 21, when she attended her first comic book convention, but ever since then she has been passionate about reading and drawing comics. 

In 2002, Huey began self-publishing the Bumperboy minicomics series. After realizing success at several comic book conventions throughout California, she was awarded the 2005 Xeric Grant to publish Bumperboy Loses His Marbles as a graphic novel.  Huey later built upon this achievement by teaming up with AdHouse Books to publish the next Bumperboy adventure, Bumperboy and the Loud, Loud Mountain, which successfully hit comic book shelves in July 2006. 

Huey has also contributed to a number of anthologies, including Project: Romantic, AdHouse Books' 2006 compilation of comics devoted to the subject of love, and Lifemeter, an anthology inspired by the video games we have grown to enjoy.  

Huey currently resides in Redwood City, CA and is working on several new exciting Bumperboy stories. 


This event is free and open to the public.

 
 
 
cartoonart
23 October 2009 @ 12:16 pm

Looking for Calvin and Hobbes in San Francisco
Booksigning with author Nevin Martell



Cartoon Art Museum Event:  Sunday, November 15, 2009, from 1:00pm to 3:00pm
Free and open to the public


The Cartoon Art Museum welcomes author Nevin Martell on Sunday, November 15, 2009 from 1:00 to 3:00pm as he signs copies of his new book Looking for Calvin and Hobbes:  The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip.  This event is free and open to the public.

ABOUT THE BOOK:

Looking for Calvin and Hobbes:  The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip
By Nevin Martell

For ten years, between 1985 and 1995, Calvin and Hobbes was one of the world's most beloved comic strips. And then, on the last day of 1995, the strip ended. Its mercurial and reclusive creator, Bill Watterson, not only finished the strip but withdrew entirely from public life. There is no merchandising associated with Calvin and Hobbes: no movie franchise; no plush toys; no coffee mugs; no t-shirts (except a handful of illegal ones). There is only the strip itself, and the books in which it has been compiled - including The Complete Calvin and Hobbes: the heaviest book ever to hit the New York Times bestseller list.

In Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip, writer Nevin Martell traces the life and career of the extraordinary, influential, and intensely private man behind Calvin and Hobbes. With input from a wide range of artists and writers (including Dave Barry, Harvey Pekar, Jonathan Lethem, and Brad Bird) as well as some of Watterson's closest friends and professional colleagues, this is as close as we're ever likely to get to one of America's most ingenious and intriguing figures - and a fascinating detective story, at the same time.

Only 3,160 Calvin and Hobbes strips were ever produced, but Watterson has left behind an impressive legacy. Calvin and Hobbes references litter the pop culture landscape and his fans are as varied as they are numerous. Looking for Calvin and Hobbes is an affectionate and revealing book about uncovering the story behind this most uncommon trio – a man, a boy, and his tiger.

REVIEWS & PRESS:

"Nevin Martell's book provides a rare glimpse of the riddle wrapped in the mystery inside an enigma that is Bill Watterson and his brilliant work, which I now know was almost called 'Marvin and Hobbes.'”
- Stephan Pastis, creator of Pearls Before Swine

"Watterson can hide, but he can't die. His work lives on and we're lucky to have Nevin Martell reminding us so colorfully in this joyful book."
- Berkeley Breathed, creator of Bloom County and Outland

"...Martell provides the most comprehensive look at the life and work of one of the most influential American cartoonists. A book I highly recommend picking up."
- The Daily Cartoonist

ABOUT THE AUTHOR:

Nevin Martell is the author of Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip (Continuum, 2009), Standing Small: A Celebration of 30 Years of the LEGO Minifigure (DK, 2009), Dave Matthews Band: Music for the People (Pocket, 2004) and Beck: The Art of Mutation (Pocket, 2001).  He is a Contributing Editor at Filter magazine and his music journalism has appeared in Paste, Giant, Men’s Health, High Times, and Flaunt, as well as online at RollingStone.com.  Currently, he lives with his wife outside Washington, DC, where he develops documentaries and non-fiction television.
  


 
 
cartoonart
 

Spend the day at Pixar Animation Studios
For the Sixth Annual Cartoon Art Museum Benefit!
Saturday November 14, 2009

 

The Cartoon Art Museum, the only museum in the western United States dedicated to all forms of cartoons and comics, is delighted to host its sixth annual benefit on Saturday, November 14, 2009 at Pixar Animation Studios.  From Pixar’s inception in 1986 with the premiere of its iconic short film, Luxo Jr., to the studio’s latest full-length feature, Disney•Pixar’s Up, Pixar has wowed and charmed the world with its incredible computer animated creations. This year, there are two great ways to experience the magic of Pixar up close and personal at the studio’s Emeryville home:

The Family Fun Tier
(1:00 – 4:00 pm)


The Family Fun Tier is designed for families to get a behind-the-scenes glimpse of the world of Pixar.  Entry includes the chance to get up close and personal to rarely seen Toy Story art, sculptures, and other items from the Pixar archives and experience a gallery exhibition featuring stunning pre-production artwork from Up.  Family Fun Tier members will also be able to participate in a Silent Auction to bid on original and signed works by Pixar creators.  Pixar artists will be on hand to teach kids how to draw Pixar characters.  Finally, a selection of Pixar short films (including One Man Band, Lifted, Presto, Burn-E and several Cars Toons) will be showing in Pixar’s state-of-the-art screening room in a continuous loop.

For this Tier, doors open at 1 pm.  Tickets are $35 for an individual or $100 for a Family Four Pack, which includes entry for 2 adults and 2 children under 18 (or 1 adult and 3 children).  
 

The VIP Screening Tier
(11:00 am — 4:00 pm)
 

The VIP Screening Tier is designed for the biggest fans to help support the Cartoon Art Museum and to experience Pixar’s state-of-the-art digital theater.  Entry includes access to everything from the Family Fun Tier plus access to Pixar’s Studio Store where guests can purchase Pixar items at employee prices. The centerpiece of the event is a noon time 3D screening that includes the rarely seen Cars Toon Tokyo Mater , and the feature film Toy Story 2.  The screening will be hosted by Dr. Michael B. Johnson (Pixarian and CAM board member), who will lead a Q&A session along with several other Toy Story 2 crew members.  The VIP Screening Tier also includes an offering of light lunchtime snacks, treats and conversation with the speakers and other Pixar employees.

For this Tier, doors open two hours early — at 11 am.  Cartoon Art Museum members can purchase tickets for the reduced rate of $99, while the non-member rate is $149. Save money and become a member of the Cartoon Art Museum today!  Reserved rows for ten are available for $1,500.  Treat your friends or employees to an afternoon of animated fun.  

Pixar Animation Studios is located in Emeryville, California.  Free parking is available on site.  Call 415-227-8666, ext. 300 to purchase tickets. Tickets will not be sold at the door.

About the Cartoon Art Museum

Founded in 1984, the Cartoon Art Museum is the only museum in the western United States dedicated to cartoons and comics.  The Museum was started by a group of cartoonists and collectors who wanted to share their appreciation of this unique art form with the rest of the world.  The Museum is dedicated to the collection, preservation, study and exhibition of original cartoon art in all forms to benefit historians, cartoonists, journalists, artists, collectors and the general public.

About Pixar Animation Studios

Pixar Animation Studios, a wholly-owned subsidiary of The Walt Disney Company, is an Academy Award®-winning film studio with world-renowned technical, creative and production capabilities in the art of computer animation.  Creator of some of the most successful and beloved animated films of all time, including Toy Story, Finding Nemo, The Incredibles, Cars, Ratatouille, WALL•E, and most recently, Up. The Northern California studio has won 22 Academy Awards® and its ten films have grossed more than $4.5 billion at the worldwide box office to date.  The next film release from Disney•Pixar is Toy Story 3 (June 18, 2010).

 
 
cartoonart
20 October 2009 @ 01:22 pm

The Cartoon Art Museum Presents:

Manga Mania with Karen Luk

A Saturday workshop for youth ages 8-18

Saturday, October 24, 2009: 11:30am-1:30pm (children); 2:30pm-4:30pm (teens)
Cost per class:  $12; Enrollment is limited


Come and level up your drawing skills at the Cartoon Art Museum’s Manga Mania! Karen Luk, professional illustrator and comic artist, will reveal the secrets behind Manga faces, body language and basic character design. Basic drawing skills are helpful, but not required.
 
Two sessions on Saturday, October 24, at the Cartoon Art Museum:
 
8-12 year olds from 11:30 am to 1:30 pm
For beginners and curious students, bring your questions and imagination!
 
13-18 year olds from 2:30 pm to 4:30 pm
For more dedicated students, bring in your drawings for review and questions! Karen will provide critiques in the workshop.
 
Drawing supplies will be provided.
 
To register please call 415-227-8666 x303 or email education@cartoonart.org

Participants must be pre-registered and pre-paid by Thursday, October 22nd to attend the class.
 
About Karen Luk

Since 2004, Karen Luk has self-published comics and is currently posting new comics on Girlamatic.com. She joined Manga Start in 2008 - an artists' group dedicated to educating students about the art fundamentals in relation to Manga-styled drawings and comics. She has taught various workshops on drawing skills, comic making and Manga style. Her portfolio can be found at
http://www.karenluk.net.
 
Instructor: Karen Luk
 
Date: Saturday, October 24th, 2009
 
Time: 11:30 AM to 1:30 PM for 8-12 year-olds; 2:30 PM to 4:30 PM for 13-18 year-olds

Place:
Cartoon Art Museum, San Francisco
 
Cost: $12 per person

 

 
 
 
 

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